Another social worker was able to persuade a patient with tuberculosis to take her medication by working within the family's belief system; like Jeanine, she loved her clients. In Fadiman's opinion, Lia's doctors,, liked the Hmong, but they didn't love them. It may have been this lack of love that hindered them from considering their patients' points of view and adjusting their methods accordingly. Hope Amidst Loss The majority of Hmong living in Laos lost both friends and relatives and their homes as a result of the Hmong involvement in the Vietnam War. They gave up nearly all their possessions; by immigrating to a country in which many had to rely on welfare, a large number of them gave up their independence.

The Spirit Catches You and You Fall Down study guide contains a biography of Anne Fadiman, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

Wrap the base of the flower and stem with floral tape.

Carnegie Humanities Investment Fund (CHIF) of Arizona State University The Parker Sydnor Historic Log Cabin project has been awarded a $60,000 grant from the Carnegie Humanities Investment Fund (CHIF) of Arizona State University to advance the project’s community, regional, and national impact. Angelita Reyes, professor in the School of Social Transformation at Arizona State University and project director, will advance the initiative through various media platforms, community involvement, and the production of a promotional video. The Sydnor historic site, sponsored by Literacy InterActives, Inc. (LIA), a 501(c)(3), is an initiative that involves the preservation and rehabilitation of a 19th century log cabin built by enslaved African Americans in Mecklenburg County, VA. Listed on the National Register of Historic Places and the Virginia Landmarks Register, the Sydnor log cabin embodies critical elements of Civil War and civil rights history, as well as the impact of contemporary cultural involvement from local and regional communities.

Elizabeth Wallin Founder, Executive Director During her time in Argentina, Elizabeth helped organize a youth festival with the theme “No Te Detengas” – translated to “Don’t Hold Yourself Back.” The festival gathered over 1,000 youth and spoke of the “jail cells” we often put ourselves in due to fear, pressure, comfort, and prejudice. However, upon returning to the United States, Elizabeth realized that women being released from prison were faced with a larger, more systemic “jail cell” holding them back.

Project panorama is a plugin that works with any theme! That means you can manage projects right off your own WordPress website or have a separate WordPress site specific for Panorama. What Happens After a Year? Licenses are billed automatically yearly with a 50% discount on renewals until canceled. You can cancel your subscription anytime and continue to receive support and updates until the anniversary of your purchase date. If you don't renew you can continue using the version of Panorama that you have installed.

Doctors have the power to call the police and to access state power which Hmong parents do not have' (84). Knowledge Related to power is knowledge, and in particular, the matter of whose knowledge is privileged. Spirit reveals that Western doctors' knowledge is considered superior to Hmong beliefs. Even Fadiman, whose sympathies lie with the Lees, expresses this view: 's philosophy of health care as a form of barter, rather than a one-sided relationship, ignores the fact that, for better or for worse, Western medicine is one-sided. Doctors endure medical school and residency in order to acquire knowledge that their patients do not have' (276).

For Elizabeth, Project Lia is a response towards the fear, pressure, comfort, and prejudice of a criminal justice system and of a society that even after serving their time, imprisons those marginalized by race, class, and gender. ​ Elizabeth hopes to give her time, energy, and positivity towards Project Lia and its participants and looks forward to building more bridges in display of solidarity. John Mundell Director A strong advocate and long-time member of the Economy of Communion, John believes in showing the world an economic model based on person-central business practices and community relations. An enthusiastic environmentalist, John guides Project Lia with over 25 years of business expertise and looks forward to building many rewarding relationships. ​ He hopes to expand public discourse on the role of business in community development and encourage more businesses to explore their opportunities to create a positive impact.

And be sure to follow us on,, and. We look forward to making this the most creative year of your life! Happy crafting! ~ Lia and Team. Phone view app for mac.

“It is the only photograph of Lotte and Carl Hirsch, my parents, taken during the war years, and it is tiny, 2.5 × 3.5 centimeters, about the size of a 35-millimeter negative, with unevenly cut edges. I have always loved this image of a stylish young couple – newlyweds walking confidently down an active urban street. The more difficult it was to make out the details of the faded and slightly spotted black-and-white image, the more mysterious and enticing it became to me over the years.” – with this description of an extremely personal photo Marianne Hirsch (American Holocaust researcher, author of the “postmemory” term, holocaust survivors’ daughter) begins one of the chapters in her book “The generation of postmemory”.

After her first episode, Lia has twenty more seizures in just a few months. Although the Hmong are skeptical of the efficacy and reliability of Western medicine, the Lees are worried enough to rush Lia to MCMC twice during this period, hoping to be given a short run of medication that will fix Lia’s ailing body and stabilize her condition. Unfortunately, Lia stops seizing before arriving at the hospital both times, and due to a lack of translators (Nao Kao and Foua speak no English), there is no way to tell the doctors why they’ve come. Eventually, on her third visit, Lia arrives while still seizing. In addition, they meet a doctor named Dan Murphy, who is curious about Hmong culture. This is unusual; at MCMC, most of the doctors are annoyed by the number of Hmong patients they see who are unwilling to accept proper treatment.

Power Another theme is the lack of power afforded to Hmong refugees. Whereas in Laos they had been free to follow their culture and to live independently, in the United States their freedom was curtailed. Welfare made them dependent upon others for sustenance, with few jobs available that did not require English proficiency and other skills they didn't have. They feared the American penal system, which punished crimes far differently than they had done in Laos. Most importantly for the Lees, they were no longer considered the ultimate decision makers for their children. A Minnesota physician summarized this view: 'Once the police are called and court orders are obtained the differences are no longer about beliefs. The differences are about power.

Glue the smallest three petals at the base of the center of the flower, then repeat with the three medium-sized petals, and finish with the three remaining large petals. • 5.Curl the leaves in any desired direction, and glue them to the back of the anemone bloom. Wrap the base of the flower and stem with floral tape.

Print out the template via the link above, and align the grain of the crepe paper with the template. Cut the paper according to the template instructions. Once all pieces are cut, use pinking shears to cut along the long edge of the rectangular piece of paper, which will become the stamen of the flower. Color both sides of the Jagged edge of the stamen with a black marker. Create fringe along the grain of the crepe paper using 5' detail scissors. Curl the stamen and petals.

Share what you’ve been up to with the LGM community by using — your creativity is our biggest inspiration! Membership gains you access to our full library of DIY project tutorials complete with pattern downloads and instructions. To see a full list of benefits.

Go Back to School in Style! The start of the new school year is right around the corner Get your kids back to class with ten of our favorite project ideas for back to school! In this DIY roundup, we bring you a slew of simple ideas for first day fun, labeling supplies, and personalizing pencils & pouches. Join us on, and, and sign up for a for just $10 a month.

You just won't have access to new versions or support. Are Refunds Available? Yes; refunds are offered no later than 14 days after purchase or renewal and are processed quickly. We appreciate any opportunity to help solve problems before refunds and love feedback, but neither are required for a refund to be processed. Does Panorama Support Multisite? Yes, Panorama works great with WordPress multisite.

Through the help of a nephew who translates everything into Hmong, Dan explains that he needs to insert an IV into Lia’s scalp to deliver a dose of Valium that will stop her from seizing. Although Nao Kao and Foua are resistant, Dan eventually convinces them and he is able to stabilize Lia. Totally unaware that the Lees have already diagnosed their daughter with the spiritually-charged quag dab peg, Dan diagnosis her with epilepsy. Wanting to monitor her condition, he keeps her in the hospital for several days before discharging her and giving Nao Kao and Foua directions to administer a specific medicinal regimen they have no way of understanding or following. As previously mentioned, the Hmong attitude toward Western medicine is one of relative skepticism. In some cases, Hmongs believe that hospitals and certain medicines are capable of making people even sicker than they already were. This is not a malicious perspective, but rather the direct result of their spiritual practices and commonly held beliefs.

These paper cut props are easy as pie. All you have to do is follow our instructions below and you’ll be ready to DIY! This content uses links from which we may earn a commission. Tools • (Recommended) or Scissors • Materials • • Cardstock –,, Instructions Use our SVG files to cut your props with a cutting machine, or print the PDF template and cut by hand. Glue to a bamboo skewer, and you’re ready for a party!

Biography Lia Cirio began her training at Swarthmore Ballet Theatre with Lori Ardis. She went on to train at the Central Pennsylvania Youth Ballet under the direction of Marcia Dale Weary and Darla Hoover, where she also studied privately with Theresa Crawford and Rafael Grigorian. At age 16, Cirio was awarded a Level One award from the National Foundation for Advancement of the Arts and was a Presidential Scholar in the Arts finalist. She was also awarded the top scholarship and Founders' Award presented by Barbara Weisberger at the Regional Dance America Festival. The same year, she was invited by Mikko Nissinen to join Boston Ballet II, and was Boston Ballet's Princess Grace Nominee for 2004. She was promoted to Boston Ballet's corps de ballet in 2004, to second soloist in 2006, and to soloist in 2007.

This is a concept their doctors have trouble understanding, since as physicians they’re used to compliant patients who, like them, wholeheartedly believe in the efficacy of medicine and scientific study. In contrast, Foua tells Dan Murphy one night in the hospital that she doesn’t think a person should ever have to take medicine forever. It comes as no surprise, then, that the Lees stop giving Lia any medication at all for three months. The next time Dan sees Lia, she is being rushed into the hospital in the middle of a serious grand mal seizure. Struggles continue between the doctors and the Lees. Neil Ernst grows increasingly frustrated that Foua and Nao Kao refuse to give Lia all the necessary medication, a decision he believes is eroding her brain capacity. Eventually, a nurse pays a house visit and discovers that the Lees are not only failing to administer all of the proper medications, but are actually giving double the amount of one drug against the doctor’s advice.

Cultural Compromise Fadiman advocates for doctors to consider their patients' stories about their disease and to try to use a model of cooperation rather than coercion. For example, Foua explained to Fadiman that she felt it was important to use both western medicine and neeb, or shamanic ritual. The Hmong believe that sometimes people get sick due to something that happens to their soul, or because they encounter an evil spirit called a dab. Such illnesses require spiritual healing, which can be rendered less effective by medication. Foua felt that the doctors wouldn't let them give just a little medication because they didn't understand about the soul. Had they done so, they might have been able to engage in cultural compromise, inviting a tvix neeb to work alongside the doctors who might have been able to convince the family that the amount of medication prescribed was beneficial. Lia's former hospital has since successfully adopted similar practices.

Gather all tools and materials. Attach two floral stem wires together end to end using floral tape. Wrap the entire length of the stems with floral tape, then wrap strips of green crepe paper around the stem to cover it and secure with hot glue. Attach a 2-inch piece of wire to one end of the stem with floral tape. Use pliers to curl the end into a hook shape. Using pliers, bend a 3-inch piece of wire in half to form a hook, then attach it to the other end of the stem using floral tape.

From 2008-2009, Cirio toured with Trey McIntyre Project, performing throughout the U.S. And the world. She danced principal roles in a number of McIntyre’s works. She returned to Boston Ballet for the 2009-2010 season and was named principal dancer in 2010. She has been hailed as 'one of the most accomplished actress-dancers in the company' by The Patriot Ledger and as “an outstanding performer with tremendous stage presence” during Boston's tour to Spain. Lia Cirio's position is funded through a generous gift from Laura J. Biography Continued Style Boston, in a review, stated of Cirio, “in no uncertain terms, Cirio is one of the most engaging dancers I have ever witnessed.